April 19, 2014
close to 94‘s annual mix for 2013 continues the shade-then-light formula established in previous entries, but with a strength and mass that suggests elemental, tectonic forces at work, broken only the emergence of organic life… Click on the Mixcloud player above to listen.
0:00:00 / The Empty Set: “Ambika P3” from the EP Material
An earth-shattering field recording of amplified sound taken in the Ambika P3 concrete bunker/art gallery in London.
0:01:43 / The Haxan Cloak: “Excavation (Part 1)” from the album Excavation
More sinister atmospherics from magister sonus Bobby Krlic.
0:04:43 / Boards Of Canada: “Come To Dust” from the album Tomorrow’s Harvest
A highlight from the Sandison brothers’ welcome return.
0:08:21 / Oneohtrix Point Never: “He She” from the album R Plus Seven
A mystical interlude from Daniel Lopatin.
0:09:46 / Prurient: “You Show Great Spirit” from the album Through The Window
A monumental slab of industrial techno that, as Pitchfork pithily puts it, presents “subtly damaged sheets of sound that are noxious, malignant, and hidden like carbon monoxide”.
0:18:40 / Daniel Avery: “Free Floating” from the album Drone Logic
A strident combination of rhythm and bass, described by Andrew Weatherall as “gimmick-free machine-funk of the highest order”. Which it is.
0:24:59 / Fuck Buttons: “Stalker” from the album Slow Focus
A mid-tempo companion to “You Show Great Spirit” (see above) – epic, unrelenting, self-assured, doesn’t give a Button.
0:34:54 / Grails: “Invitation To Ruin” from the album Black Tar Prophecies Vols. 4, 5 & 6
Baroque metal, wrecked poetry, a tragic serenade – a perfect paradox.
0:37:04 / Senking: “Capsize Recovery” from the album Capsize Recovery
The first of a trio of (inevitable) entries from the Raster-Noton family: Jens Massel delivers another slab of drum and bass, with the emphasis on the latter.
0:42:48 / Kangding Ray: “Nuis Octury” from the single Tempered Inmid
David Letellier temporarily stepped away from the Raster-Noton label to record another collection of muscular, asymmetrical techno.
0:47:52 / Diamond Version: “Turn On Tomorrow (Version)” from the single EP3
Raster-Noton label heads Alva Noto and Byetone’s run of high-quality precision electronics continued into 2013. An album is due in 2014.
0:50:49 / Nils Frahm: “Hammers” from the album Spaces
A dextrous live performance of arpeggiated techno on a grand piano – that sounds good, right? It is.
0:54:16 / Esmerine: “Lost River Blues I” from the album Dalmak
Montreal-based Esmerine were co-founded by Bruce Cawdron and cellist Rebecca Foon (cf. Saltland, featured in the good in 2013 compilation). Dalmak saw the collective absorb the music of Turkey, creating a mesmerising fusion of east and west.
1:01:38 / Apparat: “Pv” from the album Krieg Und Frieden
Sascha Ring strikes again (he is also featured, in his collaboration with Modeselektor, on good in 2013), this time with a typically anthemic overture from his music for German theatre director Sebastian Hartmann’s production of Tolstoy’s War and Peace.
1:04:51 / Greg Haines: “Habenero (Version)” from the album Where We Were
With Where We Were, British composer Haines perfected the blend of piano and electronics, as showcased on “Habenero”, both on the album and his performance of it at London’s Scala last April.
1:11:23 / Lubomyr Melnyk: “A Warmer Place” from the album Corollaries
Melnyk’s trademark continuous flow of notes is moderated a touch on this restful, concluding piece. The soothing arpeggios remain, but are given new poignancy by the simple string accompaniment.
1:19:22 / ends
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Tags: 2010s, 2013, 2013 review, apparat, boards of canada, daniel avery, diamond version, empty set, esmerine, fuck buttons, grails, greg haines, haxan cloak, kangding ray, lubomyr melnyk, mix, nils frahm, oneohtrix point never, prurient, senking